Mett?
This press release from Cooperative Travel has just arrived.
I’m going to ignore the spurious nature of the “research” – no sample size given, no date of survey, no indication of sample selection or basis on which figures have been collated – and the meaningless use of random numbers to create a false impression. I’m even going to overlook the fact that the Co-op, supposedly an ethical organisation, appears to be promoting all-inclusive package holidays in developing-world countries (if you care about the destinations you visit, all-inclusives are just about the worst way to travel, since virtually all your money stays within global corporations instead of going to the people who are hosting you).
Instead, I’m going to look at the main message.
Morocco, Egypt, Tunisia and Turkey are now apparently being called the “Mett”. What the hell is wrong with the travel industry? Why can’t they just be normal? Why has everything got to be a buzzword? Does anyone nickname Greece, Italy and Turkey the “GIT” countries? How about Spain, Portugal And Morocco becoming “SPAM”?
I’ve never heard such a load of Belgium Or LUXembourg.
Bad statistics, bad holidays, bad PR.
PR fail – or refreshing modesty?
UPDATE: See the end of this story for an update.
Pictured right is Khasab Fort, a small, 17th-century Portuguese-built castle that sits on the waterfront at Khasab, a tiny Omani town overlooking the Strait of Hormuz at the head of the Gulf.
Last month Khasab Fort won the International Award at the 2010 Museums & Heritage Awards for Excellence at a ceremony in London, beating off competition from the Manchester United Experience, the Heineken factory tour and a Gallo-Roman Museum in Belgium. Well done, Khasab.
I’m only mentioning it because it surprised me, in these days of PR-driven communication agendas, that the Omani tourism people didn’t send out a press release trumpeting the victory. Not a peep, in fact. I only found about it because of one line at the bottom of a press release about something else entirely.
Was it – to adopt Twitter-speak – a “PR fail”? Possibly (even, let’s face it, probably), but since I’m a charitable soul it crossed my mind that it might be a case of refreshing modesty.
Khasab is way off most visitors’ beaten track – it’s a flight or a heck of a long drive from the Omani capital Muscat, and is in fact closer to Dubai (though still a three-hour drive from there). It’s small, rocky and remote – not far, in fact, from the islet where 19th-century British sailors went “round the bend” from the heat, aridity and isolation.
Frankly, the Omani tourism authorities have got bigger fish to fry than Khasab, in the shape of their Now Is The Time! campaign, and projections which place Oman as the world’s third-fastest growing tourism market this year.
Maybe they’re just, well, playing it cool, not drawing attention to an out-of-the-way provincial heritage museum because, well, nobody goes to Khasab for the fort – they go for the fjords, the dolphins, the dhow trips.
Maybe.
Nah. PR fail.
UPDATE: As the comments on this story show, I have an apology to make – far from a PR fail, this shows just how out of touch I really am. It seems that releases went out (but I missed them) and the story was headline news in Oman (but I missed it). Apologies to all concerned for my mistake; all unfounded accusations are withdrawn and no inference should be made, other than to the author’s competence.
Journalist as communicator
Acknowledgement for a worthy award-winner. Yesterday Jeremy Bowen, the BBC’s Middle East editor, was presented with the Charles Wheeler Award 2010 for achievements in broadcast journalism.
Amid the screech of grinding axes that characterises much coverage of events in the Middle East, Jeremy Bowen has, to my mind, always maintained a calm, old-school approach to reporting – saying what’s happened today, and putting it into the context of what happened yesterday (and, occasionally, what might happen tomorrow). Nobody I’m aware of in English-language media around the world is as skilled a communicator in explaining for a general audience just what the heck the fighting is all about.
He’s the embodiment of the fact that, blogging and ‘citizen journalism’ notwithstanding, trained journalists working in old media really, really matter.
Congratulations, Jeremy. Thank you, BBC.
Weather or not
Ahead of a forthcoming trip to Palestine and Israel, a couple of days ago I went to check the weather on my iPhone’s preinstalled Yahoo weather app. Tel Aviv loaded fine, but it was when I did a search for Jerusalem that the oddness began.
I started by typing “Jerus” – waiting for Yahoo’s database to find the most obvious entry. It came up with “Jerusalem, Ohio” top of the list. Bizarre. So I carried on typing, till “Jerusalem” sat in the search bar. Pause for search. Top of the list now? “West Jerusalem, Yerushalayim“. ['Yerushalayim' is the Hebrew name for Jerusalem.] Huh? There was no weather forecast for the city of Jerusalem, only for West Jerusalem. Even in the mad world of Middle East politics, that made no sense.
So I sighed and loaded the weather page for West Jerusalem, then tried to find the weather for the half of the city that I’m going to visit. There was nothing under “Jerusalem”. After failing with “Quds”, “Palestine” and various combinations thereof, I finally found it. “East Jerusale” brought up Gangtok in India (huh again?), but if you add that final M you get “East Jerusalem, West Bank“. Extraordinary.
So I loaded both. Incidentally, they’re identical.
Conclusions? On the one hand, if you type “Jerusalem” you only get West Jerusalem. On the other hand, it’s now possible to have the weather solely for East Jerusalem on your iPhone if you persevere.
The Israeli and Jewish blogospheres are, understandably, up in arms. This is one example – and this Israeli news site reports today (June 6th) that Israel’s ambassador in Washington has send a letter of protest to both Yahoo and Apple.
But the Arab, Muslim and/or Palestinian blogospheres? I can’t find a single word of comment.
Tourism is not the only way
I caught a report on CNBC’s Business Arabia show this week that Qatar has set aside $20 billion for tourism investment over the next three years. Sorry, but I couldn’t help thinking why.
To replay some of the numbers – Qatar is the world’s richest country by per-capita GDP, according to the IMF. It is a major oil producer as well as the world’s leading producer of liquefied natural gas. The Qatari economy is predicted to grow by a mammoth 16 percent this year, creating a budget surplus of more than $2.6 billion. (Compare that with Europe’s minuscule growth and cavernous budget deficits…) Qatar’s proven reserves indicate that oil production will continue at current levels for another 37 years.
And so on. This is not a country that has to worry about where the next meal is coming from.
Which makes me wonder why on earth Qatar has bought into the one-dimensional Gulf fashion for pouring resources into encouraging tourism. This is no Dubai: to start with, Doha lacks even Dubai’s evidence of cultural heritage – but Qatar also notably lacks other touristic assets, such as a tradition of trade beyond its home region or a diversity of landscapes.
I don’t mean to run the place down – that’s not the point – but I do wonder where the urge to self-identify as the world’s Next Big Destination comes from. Is government policy being fed by a PR agenda? Even aside from tourism, Qatar is pouring billions into bidding for the football World Cup in 2022 – except that the summer heat is so extreme that they are ploughing yet more money into developing open-air stadia capable of supporting fans and players through a football match in comfort. It’s like running down the up escalator.
(This, incidentally, in a country which is considerably smaller than Swaziland. At least people won’t have to travel far between games…)
Play to your strengths
Here’s a different vision for a small, flat, hot, homogeneous country with a conservative outlook and a global image problem (or should that be ‘image vacuum’), backed by virtually limitless money. Qatar, currently, is also the world’s leading per-capita emitter of carbon. $20 billion could buy an awful lot of good research into renewable energy. Such fabulous wealth, channelled in the right directions, might quickly gain a reputation for Qatar as the responsible face of big oil, irrevocably committed to hydrocarbons for historical reasons but equally committed to using the resultant wealth to fund the global development of renewables, for the benefit of humanity and the world. It could knock Abu Dhabi’s Masdar – itself a roughly $20 billion concern – into a cocked ghutrah.
Heck, they could start by throwing a measly one billion at renewables, and still have nineteen billion left over for luxury hotels.
On that note, how about this? If one billion might go to renewables, how about one billion to AIDS research, one billion to raise literacy levels in the developing world and – let’s think big – one billion to combat the kind of desperate poverty that leads Pakistani, Jordanian or Nigerian teenagers to imagine Islam as a violent, wronged, vengeful religion. Never mind chasing skyscrapers, big airports and fancy hotels – imagine the kind of profile and global name-recognition Qatar might get on the back of that. And there’d still be sixteen billion left over for hotels.
Instead, Qatar seems to want to turn itself into another over-resourced, over-developed place to stop over for a few days, on the way to somewhere less embarrassing.
Everyone – countries included – should play to their strengths. Tourism is not the only way.
Wee shall overcome
US airline Spirit Airlines has announced it will charge passengers who want to carry bags onto its aircraft that won’t fit under the seat in front $45 for use of the overhead bins ($30 if they pay in advance).
Irish airline Ryanair has announced that it is pressing ahead with its plan to remove two of the three onboard toilets on its planes serving routes of less than one hour, install six extra seats in their place, and develop coin-operated access to the remaining toilet: passengers who want to use it during the flight will have to pay either £1 or €1 to get access.
One of these is good business. The other is plain gouging. Which is which?
Disrepute
There seems little justification for Spirit’s charge. How can it be that the same bag – which, incidentally, remains completely untouched at all times by either Spirit staff or baggage handlers on the ground: this is not about passing on hidden costs – can command a $45 fee if it’s placed in the overhead bin rather than under the seat? Spirit is not providing a service by having the bins in place: they are providing precisely nothing more than already exists on board.
Is it about weight? No: a small bag that fits under the seats could be filled with gold bars, while a big, puffy, half-empty sports bag would have to go in the overhead bin, incurring that $45 charge.
This is simply about thinking up ways to penalise people for flying with anything other than the clothes they stand up in and – effectively – a briefcase or personal handbag. Why would they want to do that? Search me.
I’d respect them more – and, frankly, this would make more business sense too – if they ripped out all the overhead bins on their aircraft, thereby saving heaven knows how much weight onboard, and then refused to pass on the savings in fuel to their customers. That would be reprehensible, but, in the end, tolerable.
But to create a division between different classes of carry-on bags? This has been poorly thought-through, and merely brings them – and the aviation industry – into disrepute.
Good business
By contrast, Ryanair has got it right. Toilets on board planes – especially ones that are doing short-hops of under one hour – are not a right. They are a service to the customer. They cost money to install and maintain, they take up valuable on-board real estate (the sale of which is the only means for the airline to run its business) and, I’d bet, on short flights like these, they go unused 99% of the time.
Think of Ryanair like a bus company: you don’t get a toilet on board a one-hour bus ride across London. Why should you?
There’s been a lot of hot air about how Ryanair charges excessive prices for onboard snacks and drinks. Well fine: don’t buy them! It’s not obligatory to sit there stuffing your face and swigging gin and tonics! You think £2, or £5, is too much for a cup of tea? Don’t buy it. Don’t buy the scratchcards, ignore the advertising, bring your own snacks – it’s easy.
In order to benefit from what are – let’s face it – fares that everybody thought a few years back were unsustainably low (that myth’s been put to bed, hasn’t it?), treat short-hop air travel like short-hop ground travel. Go to the loo before you leave, get on, sit there like you would on a bus, then get off again. What’s not to like?
Please take off your glasses
In Britain, if you renew your passport within nine months of its expiry, they’ll add that extra time onto your allotted ten-year validity. My passport was due to expire this December, so I applied for a renewal a couple of weeks ago.
This is the first time I’ve had a biometric passport, i.e. one that includes my personal data encoded on a chip embedded into the passport. I filled out the form, paid £4 for a set of four photos from a machine (Four quid! Someone’s having a laugh…) and took it to the nice lady at the Chipping Norton post office.
She pushed the photos back. “You have to take your glasses off.” But I can’t see without them, I said – and anyway I never take them off except when I’m asleep. Doesn’t matter: she was adamant the passport office wouldn’t accept them.
“It’s not about what you look like anymore,” she said. “It’s about how your eyes line up with your nose, and all the rest of it. Biometrics.”
So my new passport shows this bare-eyed stranger staring back at me. Perfectly fine for passing through high-tech border controls where they swipe your passport through a machine-reader, scan the chip and barely glance at your face.
But what about the other 95% of border controls around the world, where the only technology is a knackered old PC (if you’re lucky) and/or a dog-eared ledger for writing down names and passport numbers? They’re going to look at the photo, look at me, look at the photo again – and, well, guess what I’m going to be asked several times a year for the next decade?
“Please take off your glasses.”
Sigh.
“Five-star tourism is a blip”
Last month I was lucky enough to hear a talk at the Destinations travel show in London by Kate Clow, creator of the Lycian Way long-distance trekking route in Turkey.
It was a great presentation. Kate is very passionate about discovering and preserving these walking routes through the hills, spending thousands (from her own pocket) on waymarking and maintenance, applying herself for EU funding, dealing directly with the Turkish tourism authorities to engage them in developing these old roads – and, by her own account, making some headway in introducing the idea of long-distance walking on heritage trails to Turks themselves: though originally from the UK, she is now a Turkish citizen. She self-publishes her own guidebooks – they are the most authoritative sources on these routes – and leads regular tours.
One thing she happened to bark out in response to a question from the audience stopped me in my tracks. In 20 or 30 years, she said, when coastal tourism is threatened by climate change or finished altogether because of rising sea levels (or economic collapse), community-based walking and nature tourism will still be thriving. “Five-star tourism is a blip,” were her words.
What a thought. There’s so much money wrapped up in luxury tourism – both in the investment, but also in the wider industry which supports it – that it can be hard to see past it. When you’re in the middle of the whirlwind, either reporting on hotels and PR-driven tourism initiatives or aspiring to the kind of lifestyle where a stay in a luxury resort is something to be desired, it all feels so exciting, so now.
That’s the point, of course.
But Kate is right. ’Going on holiday’ – the idea of travel as mass relaxation, which we (in the West, at least) spend so much time, energy and money pursuing – was unknown a century ago.
And the notion of spending excessive amounts of money to play at a life of luxury within an opulent tourism complex under sunny skies far from home is even newer – perhaps less than 25 or 30 years old.
I don’t want to get too Alain de Botton-ish about this, but what Kate is doing – and many others involved in grassroots, sustainable tourism worldwide – mirrors how people have always ‘travelled’: with sensitivity, emotionally invested, on foot. For the entire history of humanity up until a few decades ago, travel was dangerous, unknowable and prohibitively expensive. It’s seductive to think that they way we do things now is the way things have always been – but of course that’s not true. Travel for pleasure is a very 20th-century thing; nothing says that it will last.
If fashions change and, some day, advancing technology renders five-star hotels obsolete or laughable (think of holiday camps, charabancs and “port out, starboard home”), walking will still be there.
It’s how we get about.
Local talent
A brilliant opinion piece in Abu Dhabi’s The National newspaper by one of my favourite Middle East commentators, Sultan Al Qassemi (who blogs at Felix Arabia), remarking on how the United Arab Emirates – despite its name – lacks a unified identity, either in corporate branding or in many of the practical aspects of government.
There is, for example, no UAE Ministry of Tourism. Instead, each individual emirate – Dubai, Abu Dhabi, Sharjah – handles its own promotion, often without regard to what their near-neighbours are doing.
Al Qassemi draws comparison with the spectacularly successful ‘Incredible India‘ and ‘Malaysia: Truly Asia‘ campaigns, within which individual regions are free to market themselves, but always under the banner of the global tagline.
This raises interesting questions. The US is another federal country without a national tourism promotion strategy. The big names, such as Florida, New York and California, have massive tourism budgets, and therefore dominate the inbound industry – whereas the likes of Nebraska, Idaho and Oklahoma don’t, and so often miss out. Would a US Tourism Office even out the numbers and spread tourism more widely – or is it just that more people find California interesting than Oklahoma? Tough call.
In the UAE, though, it’s pretty clear to me that there is huge benefit to be gained from devising a promotional brand which encompasses the whole country. Sharjah, Fujairah and – as I’ve blogged previously – Ras Al-Khaimah have a huge amount to offer in terms of landscapes, culture and diversity that could significantly boost the rather monolithic concept of tourism currently put forward by Dubai and Abu Dhabi. There’s no logical reason why they should be denied a slice of that pie.
But the most interesting line in Al Qassemi’s piece is this: “Frankly, I have no doubt that if Emiratis were responsible for the UAE’s tourism campaigns we see on television, the name of the country would have appeared.”
Al Qassemi has a track record of saying the unsayable – his piece from 2008 “Welcome back our long-gone neighbours“, to name just one, knocked me (and lots of people I know) sideways – and this fits that bill perfectly. It’s hard to gainsay it.
To English ears, the UAE is the country with perhaps the world’s most unwieldy name, as well as its least memorable acronym: you can imagine teams of expat marketing and PR consultants, brought in to advise Dubai and Abu Dhabi on tourism strategy, tutting and shaking their heads and then saying ‘let’s just forget about the whole UAE thing, eh?’.
Those chickens have come home to roost, with a vengeance. The name Dubai – though not quite a laughing-stock – has lost much of its shine… and, without a national identity to back it up, there is no safety-net. Hence Sheikh Mohammed’s ‘Vision 2021‘ idea to develop a unified identity for the whole country.
Yet to Emiratis, of course, their nationality is a key determinant of identity, along with family, tribe and a host of others – much like the multiple layers of identity in apparently unified Western countries (I’m thinking, in the UK, not just of English/Scottish/Welsh identity, but northern/southern, urban/rural, middle/working class, and so on). It seems those expat consultants conveniently forgot about that.
When it comes to tourism promotion, local knowledge and local perspectives matter. Can you imagine the UK bringing in a team of, say, Korean media specialists to advise on 2012 Olympics promotion? Not a chance: marketing and PR to aid specific markets can help, but the overall strategy would always be home-grown.
So should it be in the Emirates. After a chaotic generation of transition, which has left the country wildly unbalanced in terms of economy, politics, culture and demography, it’s time to do some nation-building. That means easing citizenship laws, building railways and working out what it really means to be Emirati. Interesting years ahead.
Blog will eat itself
It started with writing for print – books, magazines, newspapers.
Then it seemed like the print world was losing impetus, and online was where things were happening. So I got a blog.
Now, in what I think might be a world first (please tell me if it isn’t!), a print magazine has devoted a page to reproducing my blog in print form. Gulf Life, the inflight magazine of Bahrain-based Gulf Air, published in London by Ink and distributed around the world, has a track record of innovation, in both design and content. They contacted me recently and said they were interested in “reversing the flow” of print to online, and wanted to launch a regular column showcasing blogs of Middle East interest in the magazine. Was I interested?
So now I blog about something, then a month later it appears on the blog page of a print magazine – and now here I am, blogging about it… Feels a bit, well, incestuous.
A really interesting development. It’s certainly a fantastic opportunity for me – thank you, Gulf Life – and an unusual way to monetize my blog. But it also raises an interesting side-question: what’s the difference between a blog and a column?
And the winner is…
When Kathryn Bigelow stood up to accept the Best Director Oscar yesterday – for The Hurt Locker, a movie about a US army bomb-disposal unit in Iraq – she dedicated the award to the people of Jordan, where the film was shot.
For a modest, often-overlooked country in a region of big headlines, such a very public commendation is no small thing. And for Jordan in particular, whose film industry – such as it is – represents a minuscule fraction of the national economy right now, that one sentence could make a big difference.
A couple of years ago, I was lucky enough to be invited on set during filming for Captain Abu Raed, the first full-length feature film to come out of Jordan in more than fifty years, directed by Amin Matalqa. I wrote about it extensively – here is one article which appeared at the time – and I remember that the buzz which built up in Amman around the movie’s premiere and its subsequent success was like nothing I’d been a (tiny) part of before. Captain Abu Raed won numerous awards, including at the Sundance Film Festival, and it ended up as Jordan’s first-ever entry for the Oscars – even though it didn’t make it onto the shortlist that year…
What it did do – aside from its artistic achievement – was broadcast the fact that Jordan is a safe, efficient place to shoot a movie. The Hurt Locker is following in a line of Hollywood films, from Indiana Jones and the Last Crusade to Brian De Palma’s Redacted – via The Mummy Returns and Transformers – that were shot in Jordan… not forgetting David Lean’s Lawrence of Arabia.
Movie-shoots mean prosperity: aside from the publicity and the star names, dozens or hundreds of people on the crew must be fed and accommodated during the (often weeks-long) shoot, transport is needed, local fixers are needed – and then there are many opportunities for filmmakers and technicians to be taken on locally.
Movie-shoots also generate tourism. When fighting meant that Bollywood directors could no longer shoot song-and-dance scenes in the Kashmir mountains, they turned to the Alps. Years of unexpected growth in the market for Indian tourism to Switzerland followed. The country now offers specialist film tours for Indian tourists.
In addition, foreign shoots give a huge boost to Jordan’s own, tiny film industry, which is mostly – for lack of resources, rather than creativity – centred around shorts. Matalqa and Mahmoud Al Massad, director of Recycle (2007), are still making movies, and this year sees the first students graduating from the Aqaba-based Red Sea School of Cinematic Arts (RSICA), an international film school – the first in the Middle East.
In front of the world’s media, Bigelow could have said anything and thanked anyone in her acceptance speech, or even seized the headlines by mentioning the Iraq war. She chose instead to dedicate her award to the people of Jordan. Good for her – and good for Jordan.
Telling stories
At the risk of going over familiar ground, I want to put down a few thoughts prompted – yet again! – by a post on Jeremy Head’s excellent Travelblather blog, discussing ‘the skillset of the online travel writer‘.
In the comments, Debbie Ferm of Traveldither.com wrote, “Like all web copy, travel writing will need to be more scannable… almost like copywriting.” What a pity if she’s right!
What interests me are people and places. I’m a writer. I care about the travel industry only to the extent of how it impacts on the stories I want to tell. The stuff I’m proud to write – which, not coincidentally, matches the stuff I like to read – is not round-ups or hotel reviews or sponsored puffs. That’s for paying the bills. When I’m a doddery old grandpa, few people may care about my stories of travel, but absolutely nobody will give a monkeys about my opinion of the travel industry in the long-forgotten 2010s.
Newspapers have painted themselves into a corner. By abandoning the journalistic model of paying skilled writers to report on people and places, they turned themselves into mouthpieces for the travel industry, which has funded the creation of travel ‘content’ for years now.
That model is now breaking down, as the travel industry withdraws its funding and cuts back on print advertising. This has left traditional media high and dry: by their parsimony and, some might say, corruption in years gone by, they’ve killed the goose.
Online travel writing is in a different place. Divisions and micro-definitions get boring, but perhaps one is justified here: travel journalism, i.e. round-ups, site reports, reviews, listings, investigations, industry analysis, is different from travel writing, i.e. stories of people and places, features, profiles, cultural insight, long-form creativity.
Both are valid. Thanks to the old media models, the former dominates. It shouldn’t.
And, online, it needn’t. Long-form feature writing about travel matters. It can do things that no other kind of writing can do, and can make connections that might otherwise never be made. Old media nonetheless sold it down the river.
If we accept Debbie’s notion of online travel writing as glorified holiday-brochure copywriting, SEO’d to within an inch of its life, the same thing will happen again.
An old friend
The last time I saw Toufoul was in Amman in 1998 – and, to be honest, I don’t really remember her that well. Back then I was washed up after a year in Jordan, suddenly single again, and she was one of a bunch of friends I was roaming around with, trying to keep real life at bay. It was a reckless time. Then, three weeks ago, she found me on Twitter, and said she would be flying into the UK and maybe it would be nice to catch up. It was.
I’ll spare you the personal details, but one of the things she mentioned was her contribution to Al Mashriq. That was like tying two long-forgotten friends together into one memory. Al Mashriq was one of the first websites I ever explored, way back in 1996 when I started to work out what on earth anyone was supposed to actually do with the internet.
Maghreb is a familiar term in English, used to describe the countries of North Africa; it comes from the Arabic word gharb, meaning west (i.e. of Cairo). Its equivalent, referring to the countries of the Levant – Mashriq, from sharq, meaning east – is much less familiar… not helped by the fact that the more common term in Arabic – Bilad Ash-Sham, or “Lands of the North” (i.e. from Arabia) – mixes up the compass points.
The Al Mashriq site was started by Norwegian academic Børre Ludvigsen in 1994 as a one-stop compendium of cultural material relating to the Levant (Ludvigsen grew up in Lebanon in the 1960s). Back in the day it was unsurpassed: getting any kind of online information out of the Middle East was virtually impossible, and for the best part of a decade Al Mashriq was one of my regular haunts.
However it was a mammoth undertaking, and the devil was in the updating. There’s not been much of that – the About page proudly boasts that the site hosts 35,000 documents “at the present (March 2000)” – and as a source of up-to-date cultural developments in the region, Al Mashriq has long since been overtaken (not least by the superb site Al-Bab, run by Guardian journalist Brian Whitaker).
But going back to it now, and exploring pages (and whole areas of the site) that haven’t been touched in more than a decade, is fascinating. It’s like stumbling across a dusty, old secondhand bookshop crammed with out-of-print gems. Earnestly uploaded information, lots of it hopelessly outdated, has a value of its own simply through having survived unscathed.
A 1973 tourist pamphlet of Jerash, “bought at Antoine’s bookshop, Rue Hamra, Beirut, in 1995″, has been digitized and uploaded, complete with B&W photos. Fifteen years ago, before Wikipedia, Flickr and VisitJordan.com, that was a genuinely useful resource… and, like a musty Baedeker, it still is.
Several articles from Saudi Aramco World magazine from the 1990s, each presumably typed in painstakingly by hand and uploaded, would have been rare and useful source reading. Now, the magazine has its own free online archive going back fifty years.
A blurry, indistinct satellite image of central Cairo was something to coo over, in the days before Google Earth. And it needed the warning that the full version was 300K in size – that must have necessitated a long wait for the download, back in 1994…
And so on. Loads of links are broken (though a surprising number still work) and lots of material is out of date – but there is still a vast amount of fascinating and useful stuff to browse through, much of which is not date-sensitive. And, occasionally, there is evidence of recent updating. Maps and images of the 2006 war between Lebanon and Israel; recent socio-economic reports on Palestinian refugees in Lebanon – and a section on the now-defunct Lebanese State Railway Company, researched and written in 2008-09 with the help of a certain Toufoul Abou-Hodeib.
Rediscovering old friends is such a joy.
Crossing Qalandia
I was recently in Ramallah, and turned down the offer of a lift to Jerusalem in favour of taking the public bus – just to see what it was like (the luxuries of being a tourist). All traffic between Ramallah and Jerusalem has to pass through the Israeli military checkpoint at Qalandia (or Kalandiya, Qalandiya, etc). It was quite an experience. I’d suggest every tourist in Jerusalem should try it out for themselves. (I’m going to keep my commentary to a minimum here and let the pictures talk for me).
This (right) is one of the approaches to Qalandia.
Pictured below is a section of the ‘separation barrier‘ at Qalandia, decorated with murals.
This (below) is what you see on the road from Jerusalem into Ramallah, having passed through Qalandia. The painted sign says “No entry to Israelis” in Hebrew (Israeli citizens are forbidden from entering Ramallah, which is controlled by the Palestinian Authority).
Traffic trying to cross Qalandia from Ramallah into Jerusalem is often heavy.
Having left Ramallah, buses arrive at the entrance to Qalandia, where everybody has to get off with their bags, walk across a parking area and into this shed (below), to pass into a narrow barred passageway, wide enough for one person at a time.
Passengers from the bus are then corralled together in this holding pen (below). The barred turnstile at the far end is controlled by the Israeli army staff, who sit in a secure office just beyond: they allow one person at a time through the turnstile for checks. The rest must stand and wait. On the day I was there, I waited in this area for about 15 minutes, shuffling forward slowly one person at a time. People were courteous but quiet. Fortunately it was a cool day: there is no air-conditioning there.
This (below) is the notice on the other side of that turnstile: each person allowed through must pass their ID card (or, in my case, passport) through a transfer window for checking by the Israeli army staff.
I could not take photos of the ID check, but on that particular day, that particular office was staffed by four people – three women and one man – all in army uniform and all, in my estimation, in their late teens or early twenties. One was seated at the window, running computer checks on the ID of the people passing through the turnstile; as she worked, she also leaned back, smiling and chatting with her colleagues, who were lounging behind – one woman was reclining in an office chair with her boots up on the desk, while the man was seated on a desk nearby, his feet on a chair, chatting and laughing.
After I passed in front of the window, there was a sudden shouted command which came out of a speaker on the wall. I turned, the person who was coming just behind me shrank back, and the shout came again. The soldier at the window merely wanted me to show my passport again – but it was (how can I put this?) disconcerting, in that context, to have a disembodied voice suddenly issuing shouted commands at me through a crackly speaker.
After the ID check you walk on. Pictured below is the sign which hangs above this passageway; it says “Israel” in Hebrew and Arabic.
Turning right at the sign, as instructed, this is the view (below) – another turnstile.
Through that turnstile, you effectively enter Israel proper. This is the scene (below) – another watchtower, with more people and traffic waiting to pass into Ramallah.
Everybody reboarded the bus, which continued on its way into East Jerusalem.
For them, it was routine: they presumably do the same thing twice (or more) a day, every day. Perhaps, since the crossing only took about 20 minutes and nobody was singled out for body or property searches, it was a good trip.
It was the most shocking bus journey I’ve ever taken. Qalandia is a disgrace: it feels, looks and smells like a prison. The casual behaviour and jokey attitude of the Israeli soldiers running ID checks was disgusting. (Then again, perhaps it fits: imagine soldiers making eye-contact with everyone and smiling, saying please, thank you and have a nice day. It’s almost worse than the honest reality of treating people like cattle.)
And Qalandia is only one of dozens of similar military checkpoints, set up in and around the West Bank in order for Israel to control the movement of Palestinians.
It brutalises – but I wonder if it isn’t brutalising Israelis even more than Palestinians.
While I was waiting in that holding pen, it struck me that when Palestinians are one day governing themselves in a fully autonomous State of Palestine, Israelis will still be living with the insidious, corrupting mental and social consequences of having maintained such an occupation for so long.
I’m absolutely certain that the Palestinians can survive the occupation, however long it continues. They seem to have the kind of inner strength and collective resolve that no army can touch.
What I’m less sure about is whether the Israelis can.
Be Beirut
Really enjoyed my return visit to Beirut earlier this month. I don’t really like cities, but Beirut is always memorable.
At the time I tweeted: “Beirut is a great place to try & figure out how cities self-perpetuate (and prosper) despite lacking sane central authority.” That’s what it felt like: more than any other city I know, Beirut feels like a collection of individuals thrown into the mix together and jostling along working things out day by day. To a know-nothing journalist, floating along as an outsider for a few days, I got no sense of collective endeavour or sense of community. It felt directionless – and that was compounded by the megalopolitan redevelopment of the downtown area, where vast areas of what was central Beirut – damaged beyond repair in the civil war – have been bought up by the Solidere corporation, bulldozed and are still in the process of being redeveloped for upscale residential and business use. They form a ghost town of quiet and luxury amid the rambling disorder of the city all around.
To get a handle on how things have changed since I was last here, several years ago, I joined Be Beirut – the city’s only guided walking tour (and the only such initiative anywhere in the Middle East, to my knowledge). I loved it. Led by Ronnie Chatah, we walked for five hours through West Beirut to the shot-up Holiday Inn, then into the Solidere’s ‘central district’ to end, poignantly, at the small garden dedicated to Lebanese journalist Samir Kassir. Ronnie really knows his stuff: his explanations at various stops were fascinating, from tales of the old civil-war days around the cafes and cinemas of Hamra, to the Armenian Haigazian University, the Magen Avraham synagogue (currently under restoration), the Hariri-built Al-Amin Mosque – all very engaging.
Two small criticisms: five hours is an hour too long, and since the company does a separate culinary walk around Gemmayzeh and Achrafieh, our tour did not go into East Beirut at all – a serious omission. That aside, this was a perfect reintroduction to what was, for me, a half-remembered city. (And, in case you were wondering, this is not a sponsored endorsement: even though I was on assignment I paid my own hard-earned cash to join the tour…)
More from me on Beirut later.
Brand Oman
I’m not much into branding – especially for countries – but even I quite like this logo, devised to promote Oman and unveiled late last year.
The beauty of it is that it doesn’t need any explanation: the swirls and shapes have an arabesque feel to them already, so even without the text you could guess that this was something to do with Arabia.
The curls and coils hint at the prow of a ship moving through the waves, evoking Oman’s maritime heritage. And they double up as wisps of smoke, evoking the importance of frankincense and perfumes in Omani culture.
Cleverest of all, those four coloured wisps spell out ‘Oman’ in Arabic: an ayn (‘o’) on the right, the twine at the bottom making a meem (‘m’), then a blue alif (‘a’) and a curly noon (‘n’) top left.
I could do without the blobby, excessively expanded English font – something a little more universal, and a little less contemporary metropolitan, might have been nice – but it’s a small quibble.
To my mind, this Omani logo is an unexpected success: atmospheric, interesting and attractive.
Rather like the country itself.
Premium-priced Petra
It’s been a(nother) phenomenally busy time. After a string of writing deadlines, which filled the Christmas/New Year break, I’ve just got back from ten days in Lebanon and Jordan to discover that work lined up for Jan and Feb which would have paid almost £3,500 has fallen through – and then today I’ve also had to turn down offers of more work from two major publishers totalling around £15,000, simply because of lack of time this year (several prior commitments)… So you’ll excuse me if I’m not in the best of moods right now.
While I was in Jordan last week, I made an incognito visit to Petra. This has always been by far the priciest of Jordan’s tourist attractions: where most other sites cost a few dinars to get in, Petra cost 21 JD (£18/$30) for a one-day ticket, 26 JD (£23/$37) for two days, 31 JD (£27/$44) for three or more days. That’s only for ‘foreigners’: Jordanians, expat residents and Arab nationals pay 1 JD a day. Debating the rights and wrongs of that is for another time and place.
Some people, of course, like to take a guide – you could drop into the Visitor Centre at the entrance gate and book a guide on the spot: 20 JD for a straightforward trot through the main sights of Petra (2.5 hours) or 50 JD for a full-day tour.
As you walk into the site, there are also local people offering horses to ride. In the old days you could ride a horse all the way through the Siq canyon into the heart of the ancient city – that was great, a really exciting, memorable experience. But it also, of course, degrades the site’s terrain to have hundreds of people galloping horses around every day, and so, back in the 90s, it was decreed that tourists could only ride horses for the 700m or so from the ticket gate down to the Siq entrance, where everybody had to dismount. If you still wanted to do this short ride, the fee was fixed recently at 7 JD – but then you had to run the gauntlet of the handlers (who were hardly ever the horse-owners) trying to wheedle extra tips out of you.
Astronomic price rises
Now USAID has been brought in as consultants to reorganize how tourists experience Petra. What I discovered last week amounts not only to astronomic price rises, but a shockingly corrupt system of backhanders being written into law.
As of 1st January this year, the Petra authorities are forcing everybody who enters Petra to pay a compulsory surcharge covering the cost of a guide and a horse-ride, regardless of whether they use those services or not.
In addition they are splitting tourist visitors into two classes. Regular tourists – defined as those who stay overnight in Jordan – now pay 33 JD (£29/$47) admission for one day, JD38 (£33/$54) for two days, JD43 (£37/$61) for three or more days.
From 1st November 2010 those prices rise again, to JD50 (£43/$71), JD55 (£48/$78) and JD60 (£52/$85). That’s a heck of a lot of money: a family of four wanting to visit Petra for a couple of days now faces a bill of almost £200 for the entry ticket alone.
“Day Visitors” (presumably defined as those tourists who do not stay overnight in Jordan) are hit even harder. They must pay JD40 (£35/$56) until end-Feb, JD60 (£52/$85) from March till October, and then from November onwards a staggering JD90 (£78/$127) per person simply to get a one-day ticket to enter Petra. A family of four who have booked a holiday in Egypt and who choose to make a daytrip to Petra now face a staggering £312 fee simply to get into the ancient site.
The authorities have clearly decided that people who want to see Petra will be willing to pay any price to do so. That’s quite a gamble.
And how are the staff at the Petra ticket desk going to differentiate between a “Day Visitor” and someone who has a hotel booked (in Amman, say) for that night?
More to the point, why should I be forced to subsidise the horse-owners and tour-guides of Petra when I do not wish to avail myself of their services?
This is a country whose average salary is under $7000 a year and which is – let’s face it – only very modestly equipped in terms of tourist infrastructure, though it makes great play of its hospitable welcome to visitors. With these changes Jordan is now, quite overtly, setting out to screw as much money out of its tourists – instead of, for instance, concentrating on developing a decent range of attractions and fostering local private-sector investment in tourism to offer a broader, more mature national product.
Petra needs an overhaul, sure. Daytrippers who visit Petra from Egypt or Israel, then go back across the border the same day, spending virtually nothing in Jordan, are a problem. But will punitive entry prices solve it? Why not make Jordan more attractive, to entice people to stay longer?
Proposals for more toilets on-site, better interpretation and new transport services in & out are welcome. But why such a massive price-hike to fund them? Petra had more than 800,000 visitors in 2008, who brought more than $21 million in ticket receipts for this one site, in one year alone, in a developing-world country. $21m buys a lot of portaloos. Where has that money gone?
The worst is that the authorities have decided to line the pockets of Petra’s horse-owners with gold. These people – and the handlers who hold the reins – provide a dreadful introduction to Petra. The horses are hardly prime physical specimens. The stables beside the path stink. As of last week the handlers were still demanding “tips” from tourists, despite now being paid directly from ticket receipts.
Petra – though the most impressive ancient site in Jordan – is my least favourite Jordanian experience. It’s a hustle, and it just got worse.
Bloggers and journalists
There’s been a great debate over on Jeremy Head’s Travelblather blog, which started off as a proposal for a new way to fund travel writing, but which – in the comments – has shifted over, at least partly, into the old familiar barney about the differences (if any) between bloggers and journalists.
One comment on Travelblather is particular telling: Pam, who blogs at Nerd’s Eye View, says she’s tired of travel journalists calling themselves professional. “What does that mean, anyway?” she asks. I agree it’s a tough term to define; after all, unlike the ‘professions’ of law, medicine and so on, you don’t have to pass an exam to be a travel journalist. Anyone can try their hand at it – like photography.
I’m a photographer, but I consider myself an amateur: I carry a fairly decent camera with me when I’m working, and have had dozens of photos published – from low-res national newspapers to full-page bleeds in high-quality glossy magazines – but a real photographer would instantly be able to tell that I’m actually not much good. I can do composition, and the very best of my pics are worth a look, but technically they’re all pretty much a dog’s dinner.
For me, that’s the main point about professionalism. It might be hard to define – but you sure as heck notice when it’s not there.
That hooks into what I see is the big, big difference between bloggers (even full-time bloggers) and journalists. (I can already tell that this isn’t going to make me very popular in some quarters.)
Editing crucial
I blog, I write for newspapers and magazines and I author books. I’ve also been an editor on books and magazines, a sub-editor, a proofreader – I work with words: that’s how I make a living to support my family. I’m a writer.
And I’m a better writer when I’m edited.
I love blogging: it’s a uniquely diverse medium. Being solely responsible for the stuff you publish is a real challenge. There are some great bloggers – and some rubbish journalists.
But still, only the latter are professionals. Why? Because they are being edited – that is, their creativity is reviewed before publication by people who work with words for a living. Editing has become unfashionable, and badly edited books and texts are everywhere – lots of people don’t even know what editing is – but it is absolutely crucial to the process of writing. Journalists are edited, bloggers are not. Bloggers (and readers of blogs) might see that as an advantage – and, in some cases, it is – but on the whole, in most instances, as a broad generalisation, editing makes journalists better writers than bloggers.
By ‘better’ I mean they use language in a more proficient way, say things more clearly, complete the job in a more pleasing way. It’s a quality issue. Most carpenters handle wood better than most plasterers. Most journalists handle words better than most bloggers (the ones I read, anyway).
Skills and motivation
There’s also a skill-set involved in journalism which bloggers don’t need. Researching, interviewing, extracting key details from a mass of information, developing sources, cross-checking. Knowing how to use these techniques (and why they are important) makes you a professional. Journalists are accountable for what they write in a way that bloggers simply aren’t. That doesn’t mean bloggers are ‘worse’ – indeed, they have a whole skill-set of their own that many journalists only vaguely understand – but it does mean that bloggers must gain new skills if they want to become journalists, and vice versa.
There’s another, linked point. Journalists make a living from what they write. Bloggers make a living because of what they write. There’s a big difference. If bloggers write stuff that is engaging, insightful, well conceived, well structured and intelligent, but that doesn’t bring traffic (and clicks), they make no money. By necessity, because of our desperately restrictive ad-centred online culture, bloggers must write stuff that is – in the broadest sense – popular. It can be crud in terms of content, style and/or purpose, but it must attract wide interest. (If it doesn’t, those bloggers make less money – or simply don’t attract followers.)
The only criterion for journalists, by contrast, is that their stuff must be well written. It doesn’t matter about the perception of popularity – because, in virtually all cases, the subject that the journalist is writing about has already been vetted and approved by experienced and (sorry) professional editors. And the beauty of a free press is that journalists can write stuff which might be unpopular, but which might still be important, and can have their material taken seriously by a diverse readership. They fail only if what they produce is badly written. Like I said before, professional quality is really difficult to define – but you know when it’s not there.
World of difference
There’s a world of difference between me making a soufflé, and a professional chef doing it. I can research the causes of the First World War and give a lecture to a hall full of students – but a professional academic would do it better. Leave me alone for long enough with your car and a Haynes manual, and I could probably fix that knocking noise in the back – but a professional mechanic would do it better (and more quickly).
It’s the same with writing. There’s plenty of room for blogging and journalism – but let’s not get the two mixed up.
Blue pencils and red lights
A recent flurry of articles continues: after 48 Hours in Tel Aviv, something about the deserts of Abu Dhabi and the Traveller’s Guide to the Red Sea (all published in the Independent in the last month or so), my non-travel feature about gay and lesbian issues in Israel appeared in the Independent’s Saturday magazine over the weekend.
I had a great time researching this: everybody I spoke to, without exception, was open and willing to talk to me – a foreign, straight journalist – about their lives and the challenges (or lack of challenges) they face in everyday life. I loved it all. Seeing the Middle East through gay eyes was a revelation. And I’m absolutely thrilled to be off the travel pages and in the Indy’s Saturday mag.
The most difficult task came during the writing process. After roughly 7 days of research I had a mass of material – six or seven hours of interviews recorded on an iPod and an A6 notebook (160 pages) literally full to the last page. In a way, I’d done too much – but, then again, without all those discussions, I could only ever have skated over the surface of the issues. Every meeting and every conversation helped me to understand the situation better, and shape the article.
But, with only 2,500 words to play with, I had to leave several interviewees out of the final edit altogether; several others, despite long talks and – in one case – hours of sightseeing around the city together, ended up reduced to a couple of lines of backstory and a single quote. One interviewee has already emailed to say how disappointed they are in me (and in how ‘negative’ the article is); others have so far been universally positive and supportive.
The problem, I think, is that I went in with an open mind: the conception of the article changed several times – from the pitch, to when I first arrived, to when I left, to when I sat down to write. The final piece has a quite different tone from how I originally imagined it – due entirely to the people I spoke to on the ground. If I had fixed on an angle before arriving and stuck to it, I could have interviewed fewer people, for a shorter time, asked more targeted questions and come up with 2,500 words to suit that agenda.
But I preferred to see this project as a journey of discovery for me, too – I genuinely wanted to find out about LGBT (lesbian, gay, bisexual, transgender) life in Israel… but perhaps that held me back and made the resulting article a little too quote-heavy. Not sure. It’s all a learning process. Might do things differently next time.
Then there was the Palestinian issue – lots to talk about there, in relation to gay issues, civil rights, the occupation… but, in truth, it’s a whole other article. I thought, early on, to bring in Palestinian perspectives, and I also had gay friends & contacts in neighbouring Arab countries ready to give quotes and insight – but, in the end, I decided that the subject of gay life in Israel merited discussion by itself. Expanding the boundaries of the subject would only have made the article fuzzier and less focused than it is. Tough decisions, these.
One thing that did jar was the images chosen by the picture editor to accompany the article. The Independent commissioned a Jerusalem-based freelance photographer, Ahikam Seri, to shoot the story – and he did an outstanding job, in interview situations, portraits and reportage. But the story ended up being illustrated with voyeuristic nightlife images on every page – men kissing, women kissing. I barely mention clubbing or Tel Aviv’s reputation for hedonism, but Ahikam’s portraits of the people I did write about, and his brilliant visual insights into ordinary gay life in the city, don’t get a look-in.
Instead, the newspaper thought: it’s a story about gays and lesbians – therefore, we must pack it with images of same-sex snogging, preferably in red-lit nightclub basements. Such a pity. Reinforces tired stereotypes, when there was an opportunity to undermine them. Opportunity lost.
Swiss rolled
As regular readers will know, I do a lot of work in Switzerland. I’m the author of the Rough Guide and have written dozens of articles over the years about travelling in Switzerland. I’ve got a soft spot for the place – but the Swiss need help. They’re afraid. The largest party in the Swiss parliament, the Swiss People’s Party (SVP), have exploited the politics of fear to call – and win – a referendum banning the construction of minarets. On a 53% turnout, 57.5% voted in favour.
The repulsive SVP, who’ve used what the Financial Times called “strident populism” to target ‘foreigners’ of all kinds in Switzerland as criminals, benefit cheats or worse, kicked off the campaign with the poster opposite: “Stop! Yes to the minaret ban”. Look at the imagery: minarets as missiles, women as menacing, the burqa as concealment, black as a threat, the Swiss flag cast into shadow from the east, the cross obliterated.
In response, this poster from the Swiss Inter-Faith Association has its head – literally – in the clouds. “The heavens over Switzerland are big enough”. Does this allay the fears sparked by the first poster. Not even close. Dreamy, drifty, irrelevant.
The fearmongers came back with another minaret as missile, this time punching straight through the heart of the Swiss cross (right).
The odious Federal Democratic Union chipped in with this crude depiction (left) of an out-of-scale minaret towering over medieval Swiss architecture – the politics of fear, again. Not appeals to the heart, or intellectual symbolism: plain “this is how it will be”. The tagline translates as “Everything’s fine without minarets”, or “Minarets aren’t necessary”.
So the Society of Minorities hit back hard with, er, this child’s game of “name the flag” (right). Colourful but utterly incoherent. “States where religious freedom is restricted” is the headline. “Don’t let it get this far,” they plead, placing Switzerland beside Saudi Arabia and Sudan. Aside from the questionable reasoning here – promote liberalism in your own country by condemning the lack of it elsewhere – who thought that this poster would mean ANYthing to ANYbody?
Whereas this – a big fat ugly minaret displacing the much-loved medieval Wasserturm tower in central Lucerne (left) – needs no words of explanation. Though, handily, the Lucerne racists have helpfully added “Stop Islamisation!” to ram their message home.
So liberal politicians decided the gloves were off, and produced, er, this (right). “Stop the madness”. More woolly-headed bleeding-heart begging, allied to more inexplicable graphic nonsense. As if showing religious architecture rubbed out like this means anything. Does this outrage, in the way the Lucerne image outrages? Or the minarets-as-missiles poster outrages? Not even close.
And this (left) – “Equal Rights for All” – just makes me angry. What the hell are they doing, coming up with incoherent, metaphorical rubbish like this?
And this (right) – “Religious freedom not culture war”. Very persuasive, I don’t think. Looks like something a student union would hand out.
Or this (left) – “Let’s vote no, for a fraternal Switzerland”. But why, for God’s sake? Tell me why should I vote no!
And finally, the crowning ignominy (right): the Green party in the Aargau region decided that if they couldn’t beat the racists, they’d join them. Deciding to mix the minaret vote with another referendum about defence procurement, they placed a minaret side by side with a missile, and served up two contradictory calls-to-action.
And Swiss liberals wonder why they lost the vote. A miserable failure to connect with the issue, address the fears stoked by the racist right or even design poster campaigns with an ounce of wit or visual pull. Liberal fail equals racist supremacy.
See the campaign posters here.
To the Max
Very interesting to see this teaser in ArabianBusiness.com for a forthcoming exclusive interview with British PR supremo Max Clifford. Dubai needs a “softer image”, apparently. The place is “obsessed with money and wealth” and – worse – it’s also expensive.
Well, hold the front page.
We’ve been here before. A hundred years ago, a certain other city was on the rise. Tired, poor and huddled masses were pouring in, sometimes seeking refuge, often seeking fortunes. The established powers looked at the city and snorted in contempt, dismissing it as brash, frenetic, soulless, money-grubbing. Technological advances, and less pressure on land space, meant that the upstart was able to construct the highest buildings in the world, frequently while in pursuit of power, prestige and some element of uniqueness.
Take a look at this, from a recent book about one of those buildings:
…a vulgar contraption for producing a profit… a dubious expression of corporate power, egregious advertising… an aggressive assault on [the city's] new signature skyline…
Sounds familiar. It was written about New York in the 1910s – but now we’re saying the same things about Dubai in the 2010s. I’ve lost count of the number of press articles – both travel stories and serious feature pieces – lambasting Dubai for its shallowness.
The Burj Dubai – the tallest building in the world (pictured) – is only what the Empire State Building once was.
The comparison doesn’t always fit – those huddled masses arriving at Ellis Island, for instance, were not denied citizenship, their culture marginalized by a ruling minority with entrenched powers based on ethnicity – but the attitudes of the outside world are strikingly similar.
Look at what New York became – then imagine what Dubai (and Abu Dhabi, and the rest) might become, if they could only match economic reform with political.
Cuddly old Max Clifford thinks Dubai needs a new image. This says more about him, and the priorities of PR, than it does about Dubai – or the real needs of this 21st-century NY-on-the-Gulf.
Extraordinary images
Every so often something comes along which knocks you sideways, out of your ordinary day and – even if only for a few minutes – into a place of wonder. I don’t intend this blog to be a regurgitation of stuff I happened to come across online, but today I’m making an exception.
The image on the right – of the famous Burj Al-Arab “seven-star” hotel in Dubai – was taken by French photographer Martin Becka, using a 150-year-old camera, with techniques of developing and printing that date from the earliest days of photography. I’m not a specialist, and I don’t understand the processes – but the images speak for themselves. They are ethereal, exceptional – pushing our familiar 21st-century world back into not just the appearance of the 19th-century but, somehow, its mindset too. I look at these buildings and structures in the same way that I look at grainy, 19th-century images of people and places – as museum-pieces, detached from my life – but then I can also simultaneously hold the knowledge of Dubai’s colour, clarity and life in my head, because I’ve seen it! Being presented with such carefully mannered “old” depictions of buildings and places I have seen with my own eyes – and also touched, heard, smelled and felt – asks fascinating questions about how I interpret images of places I have NOT seen, as well as about what photography does to the people and places it depicts.
Becka’s images, somehow, show as much of the behind-the-lens world of the photographer as they do of the front-of-lens world of Dubai.
They are like painting, depicting a complete reality with far greater insight than the sharpest, clearest modern photograph.
I’ll never look at a musty, fuzzy old 19th-century photo in the same way again!
I’ll stop there. For more, see this news story on CNN, this website of Becka’s images – and google for plenty more.
UPDATE 5th November – I should have put this 3rd image (of the Dubai metro under construction) into the original post. Now, especially after Helena’s comment today mentioning Metropolis, it simply has to go in. Enjoy…
Centenary cities
Which is the most ethnically diverse city in the Middle East? Go on, have a think. What’s your best guess? Dubai?
My guess might surprise you. If you discount Mecca during the haj – which hosts 3 million people from seemingly every country in the world – I’d say the answer is Tel Aviv. I just got back from there, on assignment for The Independent, and was delighted to get reacquainted with what is an amazingly diverse city.
In the space of a few days, and aside from Israelis, I talked to Afghans, Iranians, Palestinians, Egyptians, Iraqis, Romanians, Americans, Ethiopians, French, Brazilians, South Africans, Moroccans, British, and more – most of them Israeli by nationality but carrying cultural identities originating all over the world.
There are, of course, very specific political and cultural reasons for Tel Aviv’s diversity – before and after the establishment of the State of Israel in 1948 people were encouraged to go there to make a new life, in the process erasing several pre-existing communities. For some observers, that turns the city into an illegitimate implant. For me, it turns it into a living reflection of the region’s human tragedies – a precious, uniquely valuable record of the results of intolerance.
The injustices are not clear-cut. The thinking among politicians and ordinary people, both in Israel and in other countries, which resulted in whole communities arriving en masse in Tel Aviv strikes me as being just as racist as the thinking which has legitimized the complete emasculation by Israel of Old Jaffa. This once-thriving Palestinian city, dating back to the Old Testament, is now shockingly reduced to a touristy stop on a sightseeing tour, hosting only galleries run by wealthy Israeli artists and a handful of underplayed (or, in the case of the Jaffa museum, neglected) historical attractions.
Seafront districts of Jaffa are now full of luxury villas and condos, designed in a pastiche style more reminiscent of contemporary architecture in the Gulf – pointed arches splashed around in a vain attempt to locate the building within some kind of cultural context. Tel Aviv has much beauty, but it has made Jaffa ugly – literally and metaphorically.
Jaffa is a mostly overlooked link to further themes of exile and displacement. In 1948 many people from there were forced to flee to the Jordanian capital, Amman – barely 100km to the east.
Like Tel Aviv, Amman’s character has been shaped by movements of people. Once a mainly bedouin city, its population doubled in the space of a few weeks in 1948 as Palestinians arrived in large numbers seeking refuge from war and persecution in Israel. The same thing happened in 1967 – and again in 1991, as hundreds of thousands of Palestinians were expelled from Kuwait. After the 2003 Gulf War, hundreds of thousands more people arrived in Amman from Iraq. The city, poor to begin with, and buffeted by waves of refugees, has often struggled to cope.
Amman has remained overwhelmingly Muslim and ethnically homogeneous. Yet Tel Aviv – which has remained overwhelmingly Jewish – has become ethnically very diverse.
This isn’t the place to bang on about cultural identity, but one thing is interesting to note. Tel Aviv has frequently been active in facilitating the absorption of large numbers of immigrants (aided, of course, by political engagement and lots of money). Amman, by contrast, has been almost entirely passive: urban planning is a recent innovation and a sense of shared endeavour has been almost completely lacking. As a consequence Amman sprawls, while Tel Aviv flows.
Yet both were founded in 1909. Both have been celebrating their centenary this year with cultural events and public parties – a parade in Amman, fireworks in Tel Aviv – and dedicated websites (this for Amman, this for Tel Aviv). Both cities identify strongly with their populations’ experience of transplant and exile: in both, a simple “Where are you from?” is enough to cue a life-story. They have a lot to share.
But there has been no contact. I know only a handful of people in both cities who have made the journey to visit their urban neighbours. Isn’t that a pity?
Landmark achievement

Yamaan Safady
Back in June I blogged about how a tour-guide friend from Jordan, Yamaan Safady, had been shortlisted for a major award – the Paul Morrison Guide Awards 2009, run by Wanderlust magazine in the UK.
I was at the awards ceremony last night, at London’s Royal Geographical Society, and I can report that Yamaan took the Silver Award – a landmark achievement that confirms him as the top guide in Jordan, and one of the best in the world. Hearty congratulations to him, to Tejendra Singh, who took the Bronze Award, and to Diego Torres, who took Gold.
Yamaan also got the biggest laugh of the night. All three guides were asked by Wanderlust editor Dan Linstead to say what their clients most often wanted to know during a trip. The others said that guests asked how long they had been guiding, or which was their favourite destination. Yamaan just said “Are you married?” Brilliant.
I wish him every success. He says he wants to use his £2500 prize to qualify as an International Mountain Leader, which would make him the first Jordanian to do so and enable him to represent his country abroad. “This will allow me to lead hiking groups all over the world and promote my beautiful country – a dream come true!”
Good for you, Yamaan.
What the papers say
A little while ago, I noticed a timely opportunity to write about a city I know well (let’s call it Destination X). I pitched a few ideas to a National Newspaper Travel Editor contact (let’s call him NNTE 1). He accepted one. He also put me onto a colleague of his in the Features section of the same newspaper, who accepted another. Woohoo – two commissions to write about Destination X.
I approached the relevant tourist board and requested a return flight to Destination X plus hotel accommodation for me to do my research. They got the ball rolling. All totally standard practice – nothing out of the ordinary yet.
As freelancers will know, though, two commissions are rarely enough to make a living. So I pitched another idea from Destination X to a different National Newspaper Travel Editor (NNTE 2), who is responsible for that newspaper’s online travel content. He liked it, but said there was no budget to pay me for it.
Modest proposal
So I suggested an alternative. Instead of having the newspaper pay me to write about Destination X, how about if I asked the tourist board to pay me instead? It wouldn’t be ‘advertorial’ – where a travel article (or whole section) is sponsored by a tourist board or travel company who dictate what gets written. All my research and writing would be done alone as normal and I would file directly to the editor – but the tourist board would foot the bill for my time and, erhmm, expertise. Result: the paper gets great content from which it can generate revenue, I get paid and Destination X gets coverage – all happy, right?
Nope. My modest proposal was rejected out of hand. NNTE 2 saw it as tying him to the tourist board. It was a ‘no’ on principle.
So I took yet another pitch about Destination X to a different National Newspaper Travel Editor. NNTE 3 liked the idea and was happy to run it – it tied in nicely with a similarly themed article from the same region that was already in his schedules – but again had no budget to pay me. I suggested the alternative payment method, but again it was refused on principle.
Principles
I wonder, though, what principle is at stake. Newspapers have no (or very little) money to pay for travel articles. NNTE 3 told me he now runs only one freelance piece a week, if that. Other newspapers commission nothing from freelancers at all anymore, running only “What I Did On My Holidays” articles written by celebs, staffers from other sections of the same newspaper and authors with a book to plug. Almost all seem to lament losing the insight, the expertise and the sheer variety of freelance content – but their hands are tied.
Yet I think both NNTEs I approached thought my payment idea risked undermining their credibility. I wonder, with respect all round, how much of that is left. Opening one recent national newspaper travel section, you got a welcome message from the boss of a tourist board followed by a dozen articles praising his region – including the likes of How Great It Is To Walk In The [X] Hills footed by a paragraph mentioning that [X] Railways serves all the destinations mentioned in the article, and underlined by a chunky banner advert for, oh, [X] Railways.
I’m not questioning any individual journalist’s integrity – or the necessity for that newspaper to seek funding through sponsorship – but I wonder how much credibility the public gives to such material. It was, effectively, a brochure in newspaper form. Handy for a spare weekend, but Woodward & Bernstein it ain’t.
Editorial independence
The key point of principle rests on the newspapers’ reputation for editorial independence. That, traditionally, has depended on their ability to fund their businesses through interspersing editorial with advertising. That model is now under severe threat.

How to pay the piper?
So far so bad. Yet with travel advertorial, the tail has begun wagging the dog. Companies with a vested interest are starting to be able to dictate terms. With the ongoing financial reshaping of the industry, editorial independence is dangerously threatened.
Putting an end to advertorial – by disconnecting the right of the journalist to get paid from the payer’s being able to control what is written – seems to me to be an innovative and effective route back to integrity and independence.
NNTE 2 queried what would happen if he didn’t like the piece I wrote and chose not to run it. Perhaps he thought he’d be in hock to the person paying my fee. But he – as now – would have no contact, and certainly no relationship, with the tourist board or travel firm paying me. If the story isn’t good enough to run, I simply wouldn’t get paid – but I would then be free to take it elsewhere. Since it would have no price-tag attached, the chances of one or other newspaper/magazine somewhere in the world picking it up for publication would be much higher than at present, where a ‘killed’ story is effectively dead in the water. I would then go back to my fee-payer and renegotiate.
Would a tourist board with extra-deep pockets be able to dictate to a writer what they should write about? Anything’s possible – but any journalist worth their salt would know when they’re being fed a line and would reject it for the sake of their own reputation, and (more to the point) any editor worth theirs would be able to detect a whitewash instantly. Tourist boards and travel firms already heavily subsidise the writing of most travel journalism, with literally thousands spent behind the scenes on a single article for air tickets, hotels, tours, guides and activities. Does it matter where the final, relatively insignificant cash fee to the journalist comes from?
In an industry unable to pay its suppliers, securing outside funding while safeguarding quality could actually put everybody on their toes and, in effect, raise standards. Suddenly, travel journalists would be motivated to double-check their sources. Reputations would be at stake.
Into the abyss

(Credit: myopera.com)
Travel journalism is staring into the abyss. The economics of the industry don’t really work, and haven’t done since newspapers started to rely on travel firms to facilitate creation of content instead of paying to send their own travel journalists abroad. With a shrinking world having reduced the experiential gap between writer and reader to almost nothing, travel journalists – unfairly – have a reputation as just another breed of fat-cats, swanning about being showered with freebies by travel companies and airlines in return for writing more or less bland holiday reports. The quid-pro-quo editorial models currently in place – airline gives journo ticket; journo namechecks airline in return – perpetuate that myth. Overtly sponsored advertorial doesn’t help.
Since newspapers are increasingly unable to pay for professionally produced, independent travel content, I thought my modest proposal to have someone else cough up might work. Clearly, I was wrong. But some alternative system has to be invented soon. I’m old-fashioned enough to think that people still appreciate well-written, insightful, long-form travel journalism – writing that is closer in spirit to the foreign pages than the lifestyle supplement. If I’m right, but the newspapers won’t pay for it, who will?
Footnote
No sour grapes, by the way. I think NNTE 2 and 3 have missed an opportunity, but that’s OK; I can appreciate that now is perhaps not the time to be testing new models on an ad-hoc basis. I’m talking to both of them about other ideas. Meanwhile, anyone thinking of trying to start out in travel journalism should be aware that I also spoke to NNTE 4 (no freelance budget; staffers only), NNTE 5 (Destination X is too far down our wishlist), NNTE 6 (no freelance budget)… It’s a jungle out there. NNTE 1 has my full attention.
Red Dead

The receding Dead Sea
Ferociously busy at the moment, ahead of a trip next week – I’ve got several stories I want to blog about, but only time now to post this BBC news report from Jordan by Natalia Antelava about the plans to build a Red-Dead Canal, linking the Red Sea to the Dead Sea, and thus (a) providing desalinated water for drinking, (b) exploiting the altitude difference to create hydroelectric power, and (c) pumping super-concentrated brine into the Dead Sea in an attempt to halt the shrinkage.
TV, as always, is restricted by the necessity to provide pictures – even when there’s nothing really to look at – but at least this 3-minute package introduces the issues and talks to the right people, including Munqeth Mehyar, director of Friends of the Earth Middle East (FOEME) in Jordan…
Red-Dead merits a longer post; I will come back to it.
Low-cost Middle East
Expect a price war on flights to the Middle East this winter. On 2nd November, easyJet launches a new route from Luton to Tel Aviv, joining a host of airlines including BA, bmi, El Al, Thomson and jet2 flying between the UK and Israel.
More significantly, the highly successful UAE-based low-cost carrier Air Arabia has announced that by the end of 2009 it will be launching a new airline, Air Arabia Egypt, to link several Egyptian airports with destinations in the Gulf, North Africa, Europe and the UK.
The Israel example shows the power of what the airline industry calls VFR – ‘visiting friends and relatives’. Despite the political problems, tourism to Israel has always remained buoyant, fed by special-interest religious tours in particular – but fuelled above all by VFR, especially from areas with a high Jewish population. In the UK that means, firstly, north London: even before easyJet’s launch, El Al is the only full-service national flag carrier able to maintain regular near-daily scheduled service out of Luton (and, previously, out of Stansted), in addition to its twice-daily Heathrow service. Another key VFR origin is Manchester, from where jet2 launched nonstop Tel Aviv flights in January 2009 – shortly afterwards announcing that it was doubling its peak service.
VFR out of the UK to most other Middle Eastern destinations isn’t as strong – there just aren’t that many expat Jordanians and Syrians in Britain. Air Arabia, though, has already proved that VFR works: in April 2009 it launched Air Arabia Maroc, a low-cost carrier which today links Casablanca with a clutch of francophone cities in western Europe (alongside London, Milan and elsewhere).
Its new venture, Air Arabia Egypt, on the other hand, is squarely targeting the leisure market, with multiple bases in Egypt serving different markets: Cairo and Alexandria will no doubt benefit from expanded links to Africa and the Gulf (where the large numbers of Egyptian expats brings VFR into play again), while Luxor, Sharm El-Sheikh and Hurghada will likely attract service chiefly from northern and western Europe. The three Air Arabias will also, no doubt, link up, making it possible to fly in a series of hops from the Atlantic to the Bay of Bengal, low-cost all the way.

Ryanair CEO Michael O'Leary
The new venture also kick-starts a fascinating contest. easyJet, a pioneer of low-cost travel in Europe, already serves Egyptian holiday airports such as Sharm and Hurghada from the UK. It will, it seems, soon have to compete with Air Arabia, a pioneer of low-cost travel in the Middle East. Two highly successful carriers from different parts of the globe are about to meet head-to-head. Be sure that Ryanair will be watching closely.
Beside all of this, the Gulf (although aided by market protection) is able to support six more low-cost carriers – Sama, Nas, Felix, Bahrain Air, FlyDubai and Jazeera. The last of these has announced that it is searching for a new regional hub. Will it be Beirut? Istanbul? Perhaps Athens?
As Middle East airlines start reaching out towards Europe, expect an ever-intensifying clash of low-cost cultures in the months ahead.
Excess Baggage
Chuffed and delighted to have been invited to appear as a studio guest on this week’s Excess Baggage, the Saturday-morning travel show on BBC radio’s speech network Radio 4 – recorded, thankfully, instead of going out live, as it usually does. All rather nerve-wracking, but I was on to talk about the plans for rail in the Middle East – which I’ve blogged about before and am familiar enough with to blather about at length – so having less than 48 hours’ notice wasn’t as much of an issue as it might have been.
The whole thing actually went very smoothly – ushered into the studio, a little preamble, polystyrene tea provided, and we just launched into it. Whether I made any sense or not is a different matter – judge by clicking here to go to the programme page, where there is a Listen button (and then please tell me what you think by coming back here and leaving a comment).
If you just want my bit, fast forward to about 18’50″ into the show – but I was on with FT journalist Michael Peel, who was plugging his book A Swamp Full of Dollars, about oil and corruption in Nigeria, and writer Jo Tatchell, who was plugging her book A Diamond in the Desert, a portrait of Abu Dhabi – both with fascinating stories to tell. It’s well worth listening to the whole half-hour.
A great experience, which I enjoyed very much. Presenter Sandi Toksvig was the height of charm, claiming extreme tiredness as the excuse for fluffing her script several times (smoothed over in the final edit), and ending the show – once we got there safely – with a juicy obscenity. Wonderful. I love radio. Am trying to do more of it.
The age of the train
After a generation of inaction – and increasingly bad traffic congestion – the six GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the UAE) have finally started to build decent public transport systems. Dubai’s metro opens in a few days’ time. Abu Dhabi’s metro is expected within five years, alongside an urban tram network. But the most exciting plans surround construction of an international rail network across the Arabian Peninsula and the whole Middle East.
A mammoth undertaking
It’s a mammoth undertaking. Although the terrain – and the long distances – suit train travel perfectly, there are only a few scattered lines currently in operation.
Saudi Arabia runs a passenger service between Dammam and Riyadh. Syria has a good network, which links – through the tenuous connection of the Toros Express – to Turkey. Israel also has a decent system, but for political reasons it is completely isolated from its neighbours: trains once ran from Cairo all the way along the eastern Mediterranean coast to Beirut, but the lines were cut in 1948.

Flying the Arab Revolt flag
And the old Hejaz Railway, built by the Ottomans to take haj pilgrims from Damascus to Mecca, blown up by Faisal and Lawrence of Arabia during the ‘Arab Revolt’ – and which, in its latter years, hosted passengers trains between Damascus and Amman in Jordan – is also no more. Jordan resurrected it as a novelty this month, running ‘Ramadan Specials’ between Amman and the nearby city of Zarqa, but hardly anybody took notice. As this article pointed out, Jordan has no culture of rail.
Big plans
Yet big plans are afoot. Jordan is planning a new national network, incorporating a commuter light-rail line between Amman and Zarqa along the route of the old Hejaz track. The intention is to link up with Syrian railways, and idealists envision that – once there is sufficient political will – Jordan might also link up with the Israeli network. Relaxing one day aboard the Galilee Flyer from Haifa to Irbid, or the Umayyad Express from Damascus to Jerusalem? We can only hope.
But the biggest plans are on the Arabian Peninsula. Saudi Arabia’s rail expansion includes a Landbridge project to extend the Dammam-Riyadh line as far as Jeddah, thus linking the Gulf with the Red Sea for the first time. The Haramain high-speed rail line from Jeddah to the Holy Cities of Medina and Mecca will be partly ready for next year’s haj, and a driverless monorail is planned within Mecca to ease the traffic problems caused by 3 million pilgrims a year. The intention is for the Saudi network – specifically a new north-south line running from Riyadh to Ha’il – to continue to the Jordanian border, forming a connection with Jordan’s domestic railways.
Then the six GCC countries are well advanced on plans for an international railway along the Gulf coast from Kuwait to Oman, which would link to domestic rail networks planned throughout this region. The Friendship Causeway, a massive engineering project to build a road link across 40km of sea between Bahrain and Qatar – thus reducing the journey time between Doha and Manama from almost 5 hours to 30 minutes, when it opens in 2015 – was hastily redesigned at the last minute to include space for a rail line. Both countries are designing railways and urban metros within their own, small territories.
And the UAE is planning a national railway, linking Abu Dhabi, Dubai, Sharjah, Ras Al Khaimah and crossing to the east coast to Fujairah. In addition, a triangle of high-speed lines will connect Abu Dhabi, Dubai and Al Ain. Lines will extend into Oman to the capital, Muscat.
Finally, the GCC line would join with the Saudi network, by then itself linked with Jordan, Syria and Turkey. Syria and Iraq are already connected. Trains could, in theory, run the whole distance from Istanbul to Muscat, across half a dozen countries or more, making the prospect of travelling by train from Europe to the Gulf a real possibility.
Social cohesion
The potential for change is very exciting. Railways – or, more specifically, opportunities to travel easily and cheaply – make healthy societies: they foster social cohesion. Railways are progress. British policymakers forgot this in the 1960s and 1970s, cut lines and denied the railways decent investment. This contributed to the isolating, individualistic, London-centric reshaping of society which continued through the 1980s and which we are still grappling with today.

Mecca monorail?
In the UAE, where 80% of the population are from elsewhere, Emiratis are very unlikely to use their new mass transit systems – at least for another generation, until the individualism (and subsidised petrol) which ties people to their cars is abandoned. Consequently, building railways seems to me to be a rare, tacit acknowledgement by the UAE governments of the contribution made by outsiders, in particular by South Asian expats. It is – momentously, for these fragmented societies – a step towards integration.
Rail buffs in the West may get misty-eyed about all this, dreaming of historic lines converted for a new age, trains as harbingers of peace, new networks in virgin territory – and, of course, the romance of all those ancient cities of Arabia linked by gleaming new high-speed expresses.
But for the people in the region, the plans for rail are far more meaningful than that. Never mind all those skyscrapers and multibillion-dollar megaprojects; railway construction represents the most tangible, realistic move towards nation-building yet seen in the region. For the first time, virtually unlimited public funds are being married with level-headed, long-term planning policies. Two generations on from the biggest lottery win in history – the discovery of oil – the Gulf countries are starting to find their feet again.
Railways really matter.
UPDATE 7/9/09: A specialist rail writer friend advises me that the Hejaz line was in fact built by the Germans, under Ottoman direction, and also points out that it might be misleading to compare Syria’s network with Israel’s; the latter is far more advanced. Also check out this great video (5mins), posted today, of a journey aboard one of the ‘Ramadan Special’ train services along the old Hejaz line in Jordan – atmospheric visuals, “slumdog” scenery, but no toilet paper! Commentary is in Arabic, but the footage and music speak for themselves.
Slow Track
So I’d unexpectedly been upgraded to business class on my return flight into Heathrow Terminal 3 a couple of weeks ago, and during the flight the steward had handed me a card authorising access to the ‘Fast Track’ channel at passport control. Great, I thought.
On arrival, the immigration area was jampacked and heaving with people: later, I counted 18 flights on the screens at baggage reclaim as having arrived in quick succession at Terminal 3, almost all of them long-haul (Singapore, Delhi, Muscat, Bangkok, Dubai, etc). Even the queue for EU passport-holders stretched out of the door. I sidled over to the Fast Track lane, showed my card, and joined the shortish queue.
25 minutes later I was still standing in line. Meanwhile, the entire queue of non-Fast Tracked EU passport-holders had been processed, and the hall was three-quarters empty.
You see, this was not Fast Track for EU passport-holders. Anybody and everybody who’d flown business class on the previous 18 flights was in that queue. So the two officials posted to Fast Track were having to do complete security checks on some people, with detailed questioning and referrals, before they could issue visas, as happens at the ‘Other Nationalities’ zone. Except that Other Nationalities has about 10 or 15 desks staffed, whereas Fast Track has only two.
I don’t even know who to blame: is it BAA’s fault, or the UK Border Agency, or the airlines?
Fast Track at a British airport is a relatively simple concept to grasp: obviously, it should be for EU passport-holders only. Whoever is to blame, next time I’m opting for the ordinary line.
Frankincense and camel-jumping
I settled in last night to watch the BBC’s new travel series The Frankincense Trail, in which presenter Kate Humble lugs a sack of frankincense fresh from the tree in Dhofar, southern Oman, all the way along the ancient trade routes across Arabia to the Mediterranean port of Gaza (or tries to).
I had high hopes: it’s a nice idea, and Humble is a good choice. There were some great sequences – camel-jumping in Yemen (where young bloods try to leap over a row of dromedaries, Evel Knievel-style: see pic), a bit of imperial nostalgia in Aden, discussing capital punishment with the chief of the religious police in Riyadh’s “Chop-Chop Square”, and so on.
But what a wasted opportunity in Oman! As the source of frankincense, and the anchor of the whole trip, Oman was treated surprisingly shoddily – a scant five or ten minutes, focused entirely around Kate Humble fooling around on camelback like a package tourist at the Pyramids. Nothing of Dhofari culture, nothing of the amazing frankincense souk in Salalah, nothing of the extraordinarily evocative ruins of Sumharam at Khor Rori, nothing of Salalah’s state-of-the-art Museum of the Frankincense Lands… Oman was reduced to swarthy tribesmen dancing and shouting at camels a lot while blonde foreigner looks on in bemused hilarity. If I was part of the Omani team who fixed that particular shoot, or in the promotions unit of the Omani Ministry of Tourism, I would not be very happy today…
Then we got perhaps the most positive half-hour of prime-time TV coverage Yemen has had in years – genuinely interesting sequences of travel, well described, well shot and with good Q&A cultural insight between Humble and her Yemeni fixer – including a baby-blessing ceremony in a tower-house in Shibam, a wadi walk approaching Shabwa on the ancient frankincense route, some nice sequences in Sanaa, and more.
Because the Yemeni-Saudi border is closed, Kate then diverted onto a three-hour flight to Riyadh to continue the story. But why Riyadh? It has nothing to do with frankincense, and is miles off the route. Why not Jeddah – which is at least in the right direction – or, better still, a connecting flight back to Najran or Jizan, on the Saudi side of the border, to pick up the proper trail again?
My guess – and forgive my cynicism here (I’m not normally a conspiracy theorist) –is because this series came about not because of a desire to enlighten the world about frankincense – but, rather, because someone, somewhere, gained permission to film a travel documentary inside Saudi Arabia, perhaps after years of asking. Lots is changing inside KSA, and there is a strong desire there to gain screentime in the West that is both positive and focused well away from news. From the trailers, it looks like episode two sees Kate hosted by Prince Alwaleed bin Talal for a high-life tour of Saudi in limos, supercars, private jets etc etc. So much for frankincense. I suspect that, having secured permission to film, the successful negotiator went away and developed a pitch which justified screening an hour of amazing scenery and memorable adventures inside KSA without it looking like a PR whitewash. Weaving KSA into a story about ancient trade routes is a brainwave. It’s the first time I’ve ever seen Saudi promoted onscreen as a viable tourism destination.
It might work well: we’ve only had the first 15 minutes so far, at the end of episode one (of four) – though arrival in Riyadh was tragically, and brainlessly, heralded with the immortal voiceover from Kate Humble: “Saudi Arabia is a kingdom of contrasts”. Doh! Fire the scriptwriter!
And then, after dwelling on just how scarily different Kate thinks Saudi will be, with her tears flowing after trying on niqab in Sanaa (yes, it made her cry) and her nervousness about doing something wrong in Riyadh, when she finally arrived and was taken to a mall, all she could say – while looking around at Dunkin Donuts and shops selling, yes, skirts and T-shirts – was “It’s all so depressingly familiar”. Doh again! That felt like a microcosm of how Europeans have approached Arabia for generations: first it’s all thrillingly exotic, then the exoticism starts to feel threatening, then finally it’s not exotic enough. It’s the same mindset which results in Dubai tour operators laying on Ukrainian hoofers to stage a pastiche of Egyptian bellydance for groups on desert safaris – the reality is simply not enough to meet expectations.
But praise to the BBC for commissioning a four-part series about travelling across the Arabian Peninsula – that must be a first. Interesting that it was scheduled in the middle of Ramadan, as well.
However, this is the map the BBC have drawn to illustrate the route. That diamond at the top is the ancient port of Gaza – but, as I’m sure must be known to BBC TV executives, Gaza is not an Israeli city. A simple question: where on this map is Palestine?
UPDATE: Seems I might be wrong about that Saudi prince – possibly not Prince Alwaleed, but rather Prince Bandar. And the Daily Telegraph have pulled no punches in their review of this programme today…
UPDATE 2: For detailed travel notes about following in Kate’s footsteps, click here.
World’s five-star airline?
Something’s been bugging me about Qatar Airways.
If you’ve ever watched any of the global English-language rolling news channels – chiefly CNN International, BBC World News or Sky News (all of which keep me company in hotel rooms around the world) – you couldn’t fail to have seen an ad or a sponsor’s message from Qatar Airways, generally playing on how luxurious their onboard service is. They’ve cornered the market in sponsoring the Sky and BBC weather forecasts, which are now topped and tailed with cute little five-second Qatar Airways clips talking about how “Tonight, we expect to see inky clouds of real Arabica coffee brewing over the Middle East” (or whatever).
All their ads end with this grotesquely offensive close-up of a female steward’s right eye, as she beams in delight and her pupil dilates with the sheer sexual thrill of anticipating being able to serve you real Arabica coffee.
That image comes directly from the Qatar Airways website. If you look closely, the tagline reads “The world’s 5-star airline”. But if you play the clip, the voiceover (and the closing image) read “World’s 5-star airline.” They’ve dropped the “The”.
The same thing is repeated throughout this page, which announced the campaign. All the original poster ads say “The” – but now, none of them does. The TV campaign features the same voiceover as when it launched, but now spoken by a different actor: at some point late last year they withdrew the original ads that used “The” and re-recorded them. Why? I don’t know.
Did someone sue them for making false claims? Is a statement such as “The world’s 5-star airline” actionable? I have no idea. But if you think about it, “World’s five-star airline” (which is now the default tagline for the global campaign) is meaningless. There is no such place as “World”. Once you notice it, the ads studiously avoid saying “The world”.
I wonder why.
And is it only me who’s noticed?
Congrats Aleem!
Just wanted to acknowledge the fact – a few weeks late, sorry – that BBC journalist Aleem Maqbool won the Gaby Rado Memorial Award at the 2009 Amnesty International Media Awards last month, for his reporting from Gaza after taking over the BBC’s bureau there following Alan Johnston’s kidnap. I was going to link to an interesting article by him in the current Amnesty magazine, talking about his career and experiences – but it’s not available online because Amnesty doesn’t appear to have updated its magazine pages since 2006… (why?)
Never mind. Politics aside, one of Aleem’s most memorable stories – apart from his blog from the haj – came from his idea last year to walk from Nazareth to Bethlehem, retracing the journey made by Joseph and Mary in the Christmas story, arriving in Bethlehem on Christmas Day. If you haven’t read his blog and watched the video clips from along the way, take time to do so – it’s a great travel story, told brilliantly well.
Oryx tale soup
Yesterday, twenty Arabian oryx – a kind of white antelope, native to the Middle East – were released into the wild at Wadi Rum in Jordan, as the latest step in efforts to reintroduce the animal to the wild after its near-extinction in the 1970s.
A bit of background: oryx once roamed widely from Egypt to Syria to Oman. They were a prize target for hunters, who celebrated the chase in epic poems: oryx became symbols of grace and fortitude, mythologized like bulls in Spanish culture or stags in British culture. The arrival of 4WD vehicles and automatic weapons in the 1940s meant that hunters could finally outpace the oryx – and in twenty years, they massacred virtually the whole population. A few breeding pairs were saved and flown to Phoenix, Arizona, to form the nucleus of a ‘World Herd’, from which all surviving oryx are now descended.
Since then various countries have brought in reintroduction programmes, but almost none meets international guidelines. Oman could not control poaching at its huge reserve on the Jiddat al-Harasis plain, reduced the boundaries and was struck off UNESCO’s World Heritage Site list. Dubai has a desert reserve, centred on the Al-Maha luxury hotel. Abu Dhabi has crammed hundreds of oryx (along with giraffe and heaven knows what else) onto the small Sir Bani Yas island and called it a wildlife park with – predictably – a luxury hotel. They’re repeating the theme at a desert reserve in the south, due to open later this year with another luxury hotel, Qasr al-Sarab. Jordan’s habitats have been destroyed by overgrazing of sheep and goats; its oryx have remained penned in a small reserve at Shaumari for the last 30 years.
Only in Saudi Arabia, where there is much less pressure for tourism development, has oryx reintroduction worked, at the immense Uruq Bani Maarid reserve in the Empty Quarter.
Now Abu Dhabi has struck a deal with Jordan to release oryx at Wadi Rum. Twenty animals were flown over earlier this year for acclimatization, and the enclosure gates were opened yesterday. Abu Dhabi newspaper The National sent a journalist – her report is here.
All looks great, eh? Nice, feel-good story.
Unfortunately, this is not good journalism. Jordan’s RSCN nature conservancy society has been conducting experiments in oryx release at Wadi Rum for the last 7 years – but Wadi Rum is not an oryx habitat. It’s too sandy and too mountainous: the oryx always roamed south and had to be brought back. Several died from broken legs sustained on the scree slopes. The RSCN eventually called a halt and pulled out. Then the semi-autonomous Aqaba Special Economic Zone Authority (a commercial body, not a conservation organization) stepped in to try and boost local income through increased tourism to the area. It is they, not the Jordanian government in Amman, who have struck the deal with Abu Dhabi: this oryx release is a laudable effort, but it has little or no scientific basis. It is economic. I have talked to several conservationists, including independent scientists with no axe to grind, who are well aware the release will fail.
The article is also littered with factual errors. Sheikh Zayed did make a contribution to saving the species from annihilation, but the real work had been done years before with the establishment of the World Herd. Oryx conservation projects are not ‘planned’ for Saudi Arabia, but have long been under way there.
And why did they send someone with poor Arabic? “Aion elmaha” – or, more properly, “ayoun al-maha” – does not mean ‘beautiful eyes’, but ‘the eyes of the oryx’.
As for a professional journalist recycling the sentimentality of the father standing with his hand on his son’s shoulder – well, there’s no accounting for taste.
A lazily written story, presented as if it’s the conclusion – save oryx, breed oryx, release oryx, job done.
In truth, this is just the start. What is now involved is a pouring of resources into making sure the oryx survive: manpower, cars, data collection, analysis, maintenance of GPS collars and monitoring equipment, perhaps intervention, enforcement of anti-poaching laws, environmental education for local people, development of tourism strategies… the list goes on! This is why poor countries like Jordan can’t afford to do it alone – and why a highly-placed source within the Jordanian conservation community told me that, given a choice, he’d prefer to drop the whole oryx programme and focus attention on something less expensive and more likely to succeed.
But the oryx has become a popular symbol of conservation (see logo), like the panda or the tiger – despite the fact that conservation science has moved on from spotlighting big mammals and is now devoted to broader, but less sexy, preservation of habitats (which ensures survival of hundreds of species together).
Once the oryx was allowed to be eliminated in the wild, reintroducing it means we have now become entangled in a never-ending story of management and control, pretty much in perpetuity – rather like with the bison in North America.
The Wadi Rum release is an interesting experiment, but it is not a “success story”. I’m disappointed in the usually excellent National, leaving its readers so ill-informed.
UPDATE (12 Sept 09): To their credit, The National sent the same reporter back to cover the story again a short time later – her second story, published 6th Sept, covers the issues much more clearly and accurately, I think. Thanks (and kudos) to her and the newspaper.
UPDATE 2 (also 12 Sept 09): My article on the conservation status of the Arabian oryx throughout the Middle East and Arabian Peninsula was published last week in Saudi Aramco World magazine – click here to read it. Let me know what you think by leaving a comment below…
Gimme shelter
A great story out of Dubai, where the transport authorities – to their credit – are trying to get people out of their cars and onto public transport.
As well as the new metro – which opens on 9th September (9/9/09 – don’t ask me what the significance is, other than a good headline) – there are several new bus routes coming in. But standing around by the side of the road in 50-degree heat isn’t very pleasant, so Dubai has air-conditioned its bus shelters.
(It’s so Dubai. But don’t get it mixed up with Dubai’s air-conditioned beach, which has now been abandoned, thank heavens…)
Good news is no news, so I missed it when the a/c shelters were put in.
But bad news sells – so it makes the National when the a/c shelters break down.
However, as the manufacturers pointed out, they only fail when it gets really hot outside… So, um, that’s OK then… The Kipp Report had it best: “The air-conditioners ‘trip at intervals’. Which intervals? Like, noon?”
Beyond Dubai, think of the applications: heated bus shelters in Britain, bear-proof bus shelters in Canada, bullet-proof bus shelters in New Orleans, life-support bus shelters in the Aussie outback…
Come on, give me some more ideas. Let’s get the world waiting for a bus in comfort…
Squeezing Jaffa
First came this story, about how Israel’s UK tourist office approved a poster advertising tourism to Israel that included this map, which shows Gaza, the West Bank and the Golan Heights as integral parts of Israel. Even in the most Israel-friendly reading, few could dispute the fact that there is at least some, well, uncertainty both inside and outside Israel about the political status of these three areas. Who, then, is the Israel government trying to kid? You and me, it seems.
Then came this story about Israeli transport officials planning to impose Hebrew place names on locations throughout Israel. Tourists – and, apparently, locals – are “confused” by the lack of standardised spellings, so in future Nazareth will be signposted in English and Arabic as Natsrat, using the transliteration of its Hebrew name. Similarly Caesarea will be shown as Kesariya, Acre as Akko, Jaffa as Yafo.
If the advert map was (in the most generous interpretation) merely cackhanded mismanagement of spin, it’s hard to see this as anything other than part of an attempt to erase official recognition of any cultures other than Israeli Hebrew culture in these towns and cities.
Do they imagine that they are doing tourists a service by replacing Nazareth with Natsrat? Are they expecting the Arabic-speaking residents of Acre to suddenly start calling their own city Akko?
If the Swiss government in Bern were to issue a decree forbidding the mention of “Genève” and requiring Geneva to be signposted using only the German name Genf, it would (rightly) be interpreted as an attempt to deny the reality of that city’s francophone culture.
Who, then, are the Israeli government trying to kid by, in effect, trying to squeeze the very word Jaffa out of existence? Nobody but themselves, it seems.
“It’s not a disaster”
As announced on Monday in The Bookseller, Penguin is to make 100 people at its London headquarters redundant, shunting them out into a depressed job market with one hand, while maintaining with the other that, “The market is alright, it’s not a disaster, this really isn’t about how we are trading.”
Baloney! It may not be a disaster for the Penguin chief executive, but it’s pretty miserable for the people being abandoned.
They also include “one or two” people at Rough Guides – part of Penguin Travel and publisher of three of my books.
I got an email yesterday from a senior editor at RGs saying that the first edition of a new title, which I was about to be contracted to write next year for publication in October 2011, has been “put on hold indefinitely”, since there will no longer be sufficient staff in-house to edit it – and no budget to outsource the editing to freelancers. I know, too, that other titles have gone down the swannee.
Meanwhile, John Makinson, chief executive of Penguin, “pointed to Penguin’s ‘strong’ autumn schedule, and added that he expected to see a bounce-back in areas such as travel-guide publishing.”
Well, chum, it’s hard to bounce back when you cut new titles!
The message to aspiring travel writers, and old hacks alike, is to diversify or die. Put all your eggs into one basket and you expose yourself to the big heave-ho: freelancers are always the first to be “let go”. When I left my last proper job – as a Rough Guide editor – in 2003, I relied on that one company for virtually all my income, as both a staffer and a freelance author. Now, thankfully, I make my living from numerous sources. This cancellation is a blow, but what I didn’t have I won’t miss. Pity the people dumped by a company with a chief executive who has the gall to tell them “it’s not a disaster”.
Time to up the pace and start looking for more ways to earn…
Gulf of understanding
I was lucky, a couple of years ago, to have been put in touch with Andrew Humphreys – formerly an author with Time Out and Lonely Planet (Egypt, Syria et al), ex-freelancer for Condé Nast Traveller etc. He’d just been appointed editor of Gulf Life, the new inflight magazine for Bahrain’s Gulf Air, to be published in London by Ink – and he was on the lookout for writers specialising in the Middle East. I pitched an idea or two, he said yes, and I’ve since become a regular: my two pieces in the current issue – a short look at cricket in Dubai and a longer article about the 19th-century rediscovery of Petra – bring me to 36 commissioned pieces in two years. Thanks, Andrew!
Ink are market leaders, producing 30+ inflight magazines for airlines all over the world, and have won fistfuls of design awards, including for Ryanair. It’s easy to see why. Gulf Air are not exactly the most prestigious of clients – a small, struggling state-owned carrier at the unfashionable end of the Gulf – but rather than copy the kind of instantly forgettable pap that’s churned out for Etihad and Emirates by Dubai-based magazine publishers, they’ve instead created something worthy of newsstand sale. My articles aside, it’s a genuinely interesting monthly about Middle East life and culture, with a dash of Mumbai, Kuala Lumpur and occasionally Paris and London thrown in. Take a look.
Do inflight magazines matter? My impression is they do. If they’re rubbish (which, let’s face it, most still are), all they do is reinforce to Ms/Mr Traveller the sense that both the airline and the destination it ‘represents’ are rubbish: at worst (stand up Air Malta and Saudi Airlines), they turn the airline and the destination into a laughing stock. At best (Gulf, Swiss, Air Canada) they lead you intelligently into the culture and the outlook of your destination while still in midair.
And for the hard-pressed travel writer, inflight magazines are a godsend: I write for 8 or 10 of them, and would find it that much harder to make ends meet without them.
Back to the land
A fine article in the Independent on Sunday by Joy Lo Dico about the resurgent interest in Lebanon in organic food, local food producers and traditional artisans – exemplified by the weekly Souk El Tayeb farmers’ market in Beirut.
Slightly odd to find it in the Travel section – it feels more like a food piece, or a straight feature – but I enjoyed the mood very much. An old woman who still makes traditional terracotta pots: “She had done it so many times that her hands had become her eyes.” Nice.
Makes me even more determined to get back to Lebanon before the end of the year. It’s been too long.
UPDATE (7 July): Lebanon set for record tourist season
On the waterfront
Another Middle East megaproject trundles on, this time the $10-billion Marsa Zayed (‘Zayed Harbour’) development in Jordan’s Red Sea resort city of Aqaba.
For years Aqaba’s beaches played second fiddle to its port – which, during the 1990s, was the gateway for goods trucked to and from sanctions-bound Iraq. Since the creation of the low-tax Aqaba Special Economic Zone in 2001, investment (and, specifically, leisure and tourism investment) has skyrocketed.
I’m rather fond of Aqaba. It smells a bit, but (as I write in my ‘Rough Guide to Jordan’) it’s got a long history – and it feels like it doesn’t have anything to prove, which makes a change from the Gulf.
But ever since the municipality cut down almost all the beachfront palm trees in the 1960s, there’s been a slightly cock-eyed idea of progress in Aqaba. Marsa Zayed involves razing a low-income residential district in the city centre and moving its population to the outskirts. I look at the artist’s impressions of the marina, and my heart sinks.
Jordan only has 26km of Red Sea coastline. Are “high-rise residential towers” directly on the waterfront really the best use of it?
Grand plans
What’s missing from this press release, announcing InterContinental Hotels’ investment in Oman’s Al-Madina Az-Zarqa (“Blue City”) development?
Eagle-eyed readers will notice that there are no dates anywhere, other than a reference to Oman’s “Vision 2020″ project. From what I understand, Blue City – a Dubai-style megaproject – has been hit unusually hard by the downturn: six months ago it was “junked by Moody’s”, a credit-rating agency, and earlier this year one commentator said, “Even though Blue City is being funded by private financing, one suspects that considerable influence is being wielded to keep the project afloat.”
Does announcing hotel investment, but omitting any timescale, boost confidence? I’m not sure. With the greatest of respect to Oman, I’ll believe Blue City when I see it.
River dance
A fascinating article from 7iber.com (pronounce it “hibber”) about the difficulties for travellers attempting to use the King Hussein Bridge/Allenby Bridge border crossing over the River Jordan.
The author, Daoud Kuttab, is a renowned Palestinian journalist, and writes in detail about the tortuous border problems – and financial corruption involved – from a Palestinian perspective.
I’ve crossed here, both ways, maybe half a dozen times. Being a ‘foreigner’ (as opposed to a Jordanian, a Palestinian or an Israeli) it’s much, much easier to make the trip, but this nonetheless still rates as the longest, nastiest, least appealing border crossing I can think of. Not everyone, regrettably, shares my freedom to cross elsewhere.
Tourism 2.0
It’s the perfect venue for a revelation – St Ethelburga’s, a 15th-century church in the City of London which was partly destroyed by an IRA truck bomb in 1993 and which has now been rebuilt to serve as a centre for reconciliation and peace. I was there yesterday for a meeting about raising the profile in Britain of the Abraham Path – a walking route through the Middle East linking sites of Abrahamic interest about which I’ve already blogged (see below) and published (see sidebar).
I went expecting milky tea and earnest vicars – and instead, in a quiet moment sitting at the back, glimpsed the future of tourism.
The revelation came courtesy of Daniel Adamson, former trekking guide for ATG Oxford, now based in Beirut as Director of Communications for the Abraham Path (and just about the least stereotypical PR you could ever meet; sorry PRs). This is how he explained it.
Web 1.0 was where a webmaster presented a site for ‘consumption’ by individuals; it was, if you like, a mediated experience, where end-users had little or no say in what was presented. They browsed. This is still mostly how TV, radio and newspapers operate (and long may it continue; it has a purpose).
Web 2.0, on the other hand – as Wikipedia defines it – “refers to a second generation of web development and design that facilitates communication, information sharing, interoperability and collaboration”. Design creativity flows to and fro between webmaster and ‘consumer’, ideas are shared and websites are no longer shop-windows, developing, instead, into meeting-places. There’s a nice visualization of the difference here at Sizlopedia.com.
The concept is exemplified by Facebook, Twitter, Flickr – websites which create nothing but which serve at platforms where individuals can meet and create on their own terms.
Tourism remains stuck in a 1.0 mindset. Most travellers, most of the time, get a mediated experience of their destination – variations on the well-worn theme of the 1970s-style package holiday, where you pay someone on your local high street (or your computer screen) to sort the whole thing out for you. This ‘expert’ tour operator then shepherds you – and a bunch of other people – from the airport to the destination and back again. The tour operator acts as webmaster, while their customers browse pre-selected attractions with impotent docility. Destinations become mere shop-windows.
What the Abraham Path Initiative is trying to do is not construct a path, or develop tourism, or act as guide or tour operator. They want to be a platform, upon which individuals can create their own experience of these destinations. They are network facilitators, trying to establish a system within which travel can return to being a means by which people can meet other people, unmediated by ‘experts’.
Tourism 2.0 is scary – like Web 2.0 is scary – because it highlights the fact that you will only get out of your holiday what you are prepared to put into it. You create your own experience, and you meet a whole bunch of unexpected people and challenges along the way. The end is likely to be different from how you imagined… if you ever reach the end; Tourism 2.0 begins to erase the differences between ‘home’ and ‘destination’.
Tourism 2.0 also means travel can finally lose its Noughties’ laziness. A journey can become a journey again.
Lots of people will prefer the 1.0 model: tour operators and ground agents still have a long and lucrative life ahead.
And, of course, truly independent travellers – who do their own research and make their own decisions – will thrive, as they always have done (and always will).
But those travellers who fall between the two – disliking the commercialism of the travel industry, but seeking some structure, theme or direction for their journey – finally have a model to aspire to, and to develop on their own terms. Lots of 1.0 operators have been trying to find them, dreaming up specialist small-group low-impact tours, voluntourism and all sorts of niche products. But it’s all still 1.0. And, I’m afraid, it all rubs me up the wrong way.
The Abraham Path are breaking new ground – literally and metaphorically. I won’t blether on any more but I had an exciting day, imagining the possibilities for Tourism 2.0.
But I’m only a journalist – what do travel professionals think of this? Am I being idealistic, or is there the nugget of a genuine innovation here? The economics of creating a Tourism 2.0 platform are not easy to pin down – has anyone got any ideas? Love to hear your thoughts.
RAK rate
Just picked up this story about a new luxury resort in Ras Al-Khaimah, to be run by Banyan Tree. I saw it under development when I was in RAK earlier this year, on the back of a trip to Arabian Travel Market. RAK’s an odd place – but I rather liked it. It’s the most northerly of the Emirates, and so under the least influence from Dubai and Abu Dhabi; mainly industrial, lots of cement factories (and they’re very proud of their ceramics), very ordinary – but set amid extraordinary landscapes. In tourism terms, it seemed to me that its greatest asset was access to the mountains and coastline of the Musandam peninsula, an exclave of Omani territory to the north and east. Musandam is fabulous; no space to talk about it here, but if you haven’t been – go.
I was taken for a dhow ride through Musandam’s fjords…
…I stayed at the Khatt Hotel, a modest local four-star alongside hot springs in RAK’s hills, and took a 4WD trip from RAK into Wadi Bih, a rocky gorge system that cuts through the Hajar mountains, shared between Oman and the UAE.
There’s climbing, paragliding, long-distance trekking up here. The mountain culture is quite different from the coastal lowlands; you’re a million miles from Dubai and its trashy desert safaris. Khasab has got a near-monopoly on dhow rides and leisure cruises around this extraordinarily beautiful coast, but there’s no reason why RAK shouldn’t have a slice of that pie, too. The potential is huge for RAK (with or without Khasab) to become the only place offering this kind of off-the-beaten-track, nature-based independent tourism anywhere between the Mediterranean and India. In so doing, it could also pick up a substantial slice of business from visitors (not just Western) who are bored with Dubai’s high life aspirations.
Instead, RAK – like Abu Dhabi, like Qatar, like just about everybody in the Middle East – is busy chasing the top end of the market. (And not just Banyan Tree: RAK is also building Marjan Island offshore, an imitation of Dubai’s Palm/World idea.) I’m not a big fan of luxury resorts. I think they isolate tourists and are an attempt to ring-fence local culture, discouraging interaction. Perhaps in some places that’s the point. It certainly feels that way in the Gulf. But ring-fencing culture doesn’t preserve it. It corrupts it. Arguably, that’s what has got Dubai into the pickle it’s currently in, with massive misunderstanding (leading to ‘sex on the beach’, among other shenanigans), alienation, resentment, even suspicion.
RAK – and Abu Dhabi, Qatar and others – seem scared of mass tourism. They look at Dubai and Sharm El-Sheikh and shy away from midrange development, imagining it will only cause ‘problems’. Their default response is to aim squarely for the super-rich. But that’s a mistake. Independent midrange tourism could do more for RAK and the others than any amount of luxury, diverting income to the grass roots, fostering entrepreneurship, massively improving public image abroad, boosting pride, exposing locals (Asian expats, Western expats and Emiratis alike) to new ideas… but, ah. Maybe the ruling families don’t want new ideas. Maybe they think tourism will erode their culture (though British culture is still alive and kicking despite – or perhaps because of – 25 million tourists a year, as is Italian, French, Spanish, Thai, Mexican…). Maybe they think tourists only want luxury. Maybe they think nobody wants to get hot and thirsty exploring the mountains. Maybe they think the UAE hasn’t got that much to offer, and so should just play it safe by going with the tried-and-trusted formula of luxury resort developments. Maybe they think the luxury market has more economic potential – and more prestige – than the midrange.
If so, I think they’re wrong on every score.
Some cash-strapped countries have trouble seeing how the returns on independent, nature-based tourism could make it viable for them (Jordan, for instance). For the Gulf states, whose reasons for launching tourism at all have much less to do with income than image, it seems perverse to just fall back on more (and more) luxury. RAK could be the world’s next big adventure destination. It has the terrain. All that’s needed is a bit of independent thinking.
Go Yamaan!
Just heard that Jordanian tour guide Yamaan Safady has been shortlisted for the Paul Morrison Guide Awards 2009, run by Wanderlust magazine in the UK.
Fantastic news! Yamaan is a great guy, and he knows Jordan’s backcountry like nobody else. Looking forward to the awards ceremony in October…
UPDATE (12 Sept 09): Check out this fantastic 4min video, uploaded yesterday to YouTube, in support of Yamaan’s nomination…
UPDATE (14 Oct 09): Click here to find out how Yamaan did…

























